INT. PLAYBOY CLUB - BAR AREA
Dana's instructing the BARTENDER to fill her drink order by
placing the drinks in special MUGS.
DANA (V.O.)
I was not working at Playboy just
to bolster my self-esteem. I was
there for the money and I found
ways to earn more money but still
stay within the rigid rules of the
Playboy manual. A Bunny cocktail
waitress could earn $5 per case of
special mugs sold with her drinks.
I arranged for all my orders to be
served in the mugs. If a customer
complained I simply took back the
mug, washed it, and put it back in
the case. Most of the time the
customers, especially the ladies,
were pleased to have a souvenir of
their Playboy Club experience.
Dana is serving drinks in the special mug.
WOMAN CUSTOMER
Oooooh, look at that cute mug. I
want a couple of those to take
home. Bring all my drinks in those.
DANA (V.O.)
There was room to maneuver within
the rigid Playboy system. My policy
was to conform to the rules but
make them work for me whenever
possible. I was never told to serve
all my drinks in mugs. I was never
told not to serve all my drinks in
mugs. There was a gray area and I
took advantage of it. The Playboy
Club became the one place where I
was respected and appreciated for
who I was. I wanted to spend as
much time there as possible. I
began working double, then triple
shifts. I wanted to be a part of
everything that went on at the
club. I volunteered for off-site
promotion work but was seldom asked
because of my less than perfect
Bunny Image. On one fateful day in
November, however, I was selected
to help with a business promotion
at a nearby hotel.
INT. HOTEL - PRESIDENT'S ROOM - DAY
Bunny Dana on duty in the PRESIDENT'S ROOM.
DANA (V.O.)
Things were going well. I was so
proud to be representing Playboy at
this function. The mood of the
crowd was businesslike but festive.
Then, all of a sudden, everything
changed. People started to gasp and
cry. It was November 22, 1963, in
the early afternoon. President
Kennedy had been assassinated in
Dallas.
HOST
Excuse me everyone. May I please
have it quiet for a minute. Thank
you...thank you. Shhhhhh. As many
of you have just heard, President
Kennedy was shot in Dallas while
riding in his motorcade. There's no
word yet as to whether he is alive
or dead. Our gathering today will
be postponed until tomorrow morning
at nine o'clock. At this time,
everyone is free to leave.
EXT. HOTEL - PRESIDENT'S ROOM - AFTERNOON
The Bunnies walk back to the Playboy Club after the news of
President Kennedy's assassination spreads.
DANA (V.O.)
We were told to return to the
Playboy Club, but there wasn't a
cab anywhere, so we decided to walk
back. Along the way we passed a
storefront full of televisions
broadcasting coverage of the
horrible scenes from Dallas. We
were all speechless.
INT. PLAYBOY CLUB - EVENING
The BUNNIES finally arrive at the Playboy Club and walk in.
The club is open but news of the ASSASSINATION is being
broadcast over television monitors and so everyone is in a
melancholy mood.
DANA (V.O.)
The President's passing was felt
deeply by everyone. That night my
shift passed slowly. When the
evening ended so did the innocence
of our great country. America had
come of age. Gone was the Camelot
world of President Kennedy's
administration. In its place was a
cruel, unsafe world ruled by
violence and crime, not high
ideals, law, and justice. I was
used to living in such a world.
Because of the challenges I faced
growing up, I was sensitive to
basic human rights issues. I began
to spend even more time at the club
and took on more responsibilities
than any other Bunny. The other
Bunnies came to me with their
problems. One problem that came up
over and over had to do with
Adrienne's preferential assignment
to the choice Penthouse station. My
relationship with Adrienne was
strained at best. I knew it was
risky, but I had to do something
about this injustice. A general
meeting was called.
INT. PLAYBOY CLUB - MEETING ROOM
The morning meeting is attended by all the Bunnies, Adrienne
Foote (Bunny Mother), and KEITH HEFNER.
Adrienne steps up to the podium to open the meeting.
ADRIENNE
As you know, Dana Montana called
this meeting in order to resolve
some concerns that a number of you
brought to her attention over the
past few weeks. Keith is here,
(motioning to Keith)
he'll listen, and hopefully come up
with a solution to your problems.
Let's begin by having Dana give us
an overview of what's been
bothering many of you.
Dana stands up.
DANA
During the past few weeks some of
the girls have felt passed over for
assignment to the Penthouse shift.
We all know that's where the most
money is made. We feel that the
Penthouse assignments should be
spread evenly through the roster.
Now, why don't some of you who've
talked to me privately explain how
you feel.
PLAYBOY BUNNY
I'm one of the girls who is seldom
picked to work the Penthouse shift.
I'm not exactly sure why that is.
What I do know is that I'm here to
make money. I've got a family to
support and every dollar makes a
difference. Most of us feel the
same way.
That BUNNY sits down and several more voice their views on
that subject and on other grievances and complaints directed
at Adrienne's management of Bunny affairs.
Keith Hefner closes the meeting.
KIETH HEFNER
I want to thank you all for
bringing this to our attention.
We'll give the matter careful
consideration. That's all, you may
go now.
DANA (V.O.)
At first, no changes were made.
About two weeks after the meeting,
however, Adrienne Foote was moved
into another position and Toni
LeMay took over as Bunny Mother.
Toni soon appointed me as her
assistant and working conditions
gradually improved for all the
Bunnies. Throughout my life I've
managed to survive by being
resourceful in the face of
hardships. Applying that trait in
the course of working for Playboy,
I volunteered to be Camera Bunny; a
position none of the other girls
wanted because policy did not
promote good tipping.
INT. PLAYBOY CLUB - LOUNGE AREA
Another Bunny is going through the Camera Bunny procedure
with a group of customers sitting in a booth.
CAMERA BUNNY
Would you like to have your picture
taken?
CUSTOMER
Well, sure, but how much will it
cost?
CAMERA BUNNY
A nickel!
She takes a Polaroid, gives the picture to the customers,
and the customer hands her a nickel.
DANA (V.O.)
Unbelievably, most often that's
exactly what the customers would
give--one nickel. On the other
hand, I saw another opportunity to
improve tips for the Camera Bunny.
The first change I made was to ask
the customer if they wanted their
picture taken with one of the
Bunnies--that was an instant
success. Next, when asked how much
the picture cost I said, "Whatever
you want to give." The tips started
rolling in and everything was fine
until one night when three men
wanted their picture taken.
Dana volunteers for the Camera Bunny shift and is seen
walking through the club with camera in hand.
She approaches a table of customers--three men.
FIRST MAN
(waving Dana over)
Hey, take our picture!
DANA
Sure, would you like to have your
picture taken with one of the
Bunnies?
FIRST MAN
Why, sure, that would be great!
DANA
Just a minute while I ask another
Bunny to join us.
Dana gets a Bunny over for the picture, positions everyone,
and snaps the shot.
2'D MAN
So, how much will that be?
DANA
Anything you want to give, sir.
The second man pulls 50 cents out of his pocket and hands it
to Dana.
She gives him a look of displeasure.
2'D MAN
Isn't that enough?
DANA
I usually get between $5 and $20.
2'D MAN
Just for a picture?
DANA
Don't you think it's worth more
than 50 cents?
2'D MAN
Well, what if that's all I've got?
DANA
That would be very sad.
2'D MAN
You'd like me to have more,
wouldn't you?
Dana, sensing that the whole exchange is getting out of
hand, stops pressuring them and bows out gracefully.
DANA
Well, thank you fellas.
DANA (V.O.)
Those three guys gave me a hard
time, but I didn't think anything
of it until the next morning when I
was called into the office. Toni
and Keith were waiting to talk with
me.
KIETH HEFNER
I've got a report on you, here,
suggesting that you are soliciting
from the customers.
DANA
Soliciting? I never...
TONI LEMAY
With the camera, Dana, gauging. Do
you know what we charge for
Polaroids?
DANA
Yes, a nickel.
KIETH HEFNER
Last night you deviated from our
policy in a major way and told an
undercover Willmark agent that you
usually got between $5 and $20!
DANA (V.O.)
(to herself)
I knew there was something unusual
about those guys last night. It
figures they were undercover
Willmark agents. Playboy hires them
to make sure the employees are
performing properly.
TONI LEMAY
Keith, she's the most dedicated
Bunny I've got. I don't think she
would ever do anything to
intentionally damage Playboy. I
really don't.
KIETH HEFNER
Wait a minute, Dana. You don't mean
that the customers actually hand
you a nickel...I mean a nickel!
DANA
Yes, sir. They never give more than
a nickel if you say that to them.
It becomes some sort of bizarre
joke. Just follow me around and
I'll show you what I mean!
Keith leans back in his chair and stares back at Dana.
KIETH HEFNER
Alright Dana, you can go now.
DANA (V.O.)
The next morning I was sent home on
a two-week suspension. When I
returned, the camera policy had
been changed to promote better
tipping. I took a chance and it
paid off...this time.
INT. PLAYBOY CLUB - DAY
Two weeks later Dana returns to work.
BUNNY
Dana, take a look at this memo.
Dana takes a moment to scan the document.
DANA
Can you believe this? I was
suspended for altering the camera
policy and they go ahead and change
it to what pretty much exactly what
I was doing. Figure that.
2'D BUNNY
Hey, Dana, your grandmother is here
with the kids.
DANA
Great. Tell her to bring them into
the dressing room.
GRANDMOTHER
Here are the children, Dana. I'll
be going now. You send them back in
a cab, alright?
DANA
Okay, they'll be home for dinner.
(turning to the kids)
So, what would you like to do
today?
Dana spends time with her children at the Playboy Club.
Bunnies are playing with each other's children in the
dressing room.
DANA (V.O.)
I was working long hours and missed
spending time with my children. By
having them dropped off at the club
I at least got to see them some
during the week. The other Bunnies
and I would play with the kids in
the dressing room, then I'd take
them to a restaurant or drop them
off at a movie. I'd go back to
work, then pick 'em up. I
remembered what it was like, having
a mother that didn't have time for
me. I wasn't going to let my
children go through the same thing.
Our ritual took place many times
during the months I worked at
Playboy. My life was dedicated to
serving the needs of the Chicago
Playboy Club. I spent more time
there than any other Bunny. I
assumed extra responsibilities and
learned from the inside what it
took to run a first-class business
operating in the adul entertainment
world. That said, the real world of
Playboy was an efficient well-run
business; not a bordello or sleazy
strip club.
INT. PLAYBOY CLUB - PENTHOUSE SUITE
Dana's working the main lounge when HUGH HEFNER comes in.
BUNNY
Look at that, the big man himself.
DANA
You know, this is the first time
I've ever seen him in the club.
He's not exactly what I expected.
BUNNY
I know what you mean.
DANA
If there is a Playboy Image for
men, Hugh Hefner does not look the
part.
BUNNY
With men it's not so much how they
look as how they act.
DANA
You're right, but he's just so
ordinary looking...not exactly the
person you'd expect to be heading
up the Playboy empire.
BUNNY
Look at the other VIPs he's with,
they're all the same, professional
businessmen, not players.
There's a call for Dana. She goes to the nearest phone to
answer the call.
DANA
Yes, this is Bunny Dana.
TONI LEMAY
Dana, there's going to be a
gathering at the Playboy Mansion
tonight. You're expected to be
there. Plan to spend at least two
or three hours, but play it by ear.
You know what to do.
DANA
Right, I'll go over around nine.
Will that be alright.
TONI LEMAY
That's fine.
INT. PLAYBOY MANSION
Dana arrives through the MAIN ENTRANCE.
The party is in progress.
VIPs and other Bunnies and PLAYMATES are mingling in the
crowd.
Her first Playboy Mansion party, Dana isn't quite sure what
to expect.
She sits down and a waitress brings a tray with CHAMPAGNE
COCKTAILS.
She takes one and looks around while sipping the drink.
Another Bunny, GAYLE, from the club spots Dana and sits
down.
GAYLE
So, they corralled you into this
too, I see.
DANA
Yep. My first time, how about you?
GAYLE
I've been to one other party here.
DANA
I'm a little concerned about what
to expect.
GAYLE
Don't worry, it's not at all what
people think. Nobody's going to ask
you to take your clothes off, or
take drugs, or anything like that.
You'll probably be bored most of
the night. Well, I'm going to
mingle. Try and do the same thing.
Dana gets up and walks over to a small group of men
congregating over smalltalk.
While talking she spots HUGH HEFNER and watches to see what
he does at these parties.
DANA (V.O.)
I watched Hugh Hefner and the other
VIPs for several hours and never
once saw anything lewd or raucous
going on around them. No one
approached him suggesting anything
out of line. I wasn't expected to
do anything that made me
uncomfortable. No orgies went on,
nobody was shooting up or passing
pills around. Since I don't drink
much, all-in-all it was an
uneventful evening.
INT. PLAYBOY CLUB - LATER THAT NIGHT
Dana returns to the PLAYBOY CLUB after the mandatory Playboy
Mansion party to work out the end of a night shift working
with MARGIE.
A DRUNK CUSTOMER gets too friendly with a BUNNY, and is
escorted out of the club.
MARGIE
Dana, how was the party?
DANA
Oh, the usual I guess, a little
boring, actually.
Dana overhears some confusion going on at the bar.
DANA
(continuing)
What's happening now?
BUNNY
Get your hands off of me. I'm
telling you for the last time.
DRUNK CUSTOMER
You should be friendlier after all
the tips I've given you. Come on,
baby...give daddy a kiss.
Security is alerted and they converge on the scene with the
MANAGER.
MANAGER
Excuse me, sir. Would you come with
me, please.
DRUNK CUSTOMER
What's going on? I was just having
a little fun. Where are we going?
INT. PLAYBOY CLUB - HALL TO FRONT DOOR
They escort him to the EXIT, give him his hat, and coat and
forcefully get him out the door.
Dana discusses the incident with the affronted Bunny.
INT. PLAYBOY CLUB - BAR AREA
DANA
What exactly did that guy do to
you?
BUNNY
He had his hands all over me and
wouldn't stop when I asked him to.
DANA
You did the right thing calling
security.
DANA (V.O.)
I didn't hesitate supporting her
because I knew this beautiful
Playboy Club fantasy world of ours
wouldn't last a day if the
customers were allowed to peel away
the layers of the illusion we
create for them.
DUKE CAMP,general manager of the club, is walking up to Dana
with a certifiable Playboy Club VIP, RICHARD HOFF.
DUKE
Excuse me, Dana. I'd like to
introduce you to Richard Hoff. I've
got to get to a meeting. I'll let
you two get acquainted.
Duke leaves while Richard Hoff and Dana get some smalltalk
out of the way.
RICHARD
I see you're taking pictures
tonight. Would you take one of me?
DANA
Certainly, Mr. Hoff.
RICHARD
Please, call me Richard.
DANA
Alright Richard, come and sit over
here. Would you like your picture
taken with a Bunny?
RICHARD
No, alone will be fine.
Dana poses him and snaps the Polaroid.
Richard Hoff hands Dana a $100 bill.
RICHARD
(continuing)
Thank you. Here...go buy your kids
some toys. Duke tells me you've got
a couple of children ...listen,
Dana, lets have lunch one of these
days.
Dana hesitates, knowing he's asking her to break a CARDINAL
RULE governing Bunny behavior.
DANA
I'd like to, Richard...but you see,
it's against the rules.
DANA (V.O.)
From talking with Duke I knew I
could bend the rules where a VIP
like Richard Hoff was concerned,
but I was still legally married and
wasn't at all ready to involve
myself with another man in any way.
In the days that followed, Richard
Hoff kept approaching me and I
politely put him off, time after
time.
Dana walks away and continues taking pictures of other
customers.
Richard is disappointed but not discouraged.
Later in the evening Dana becomes upset with a crude
CUSTOMER.
CUSTOMER
Why don't you ever smile? Come on,
give me a smile, baby.
(obscenely flapping his
tongue)
DANA
You smile, you dipshit, I'm too
busy to smile right now!
Dana pulls away from the crude customer and retreats to the
bar where Richard Hoff is sitting.
RICHARD
Is anything wrong, Dana? You seem
upset.
DANA
Nothing I'm not used to.
RICHARD
So, Dana, how about that lunch
date?
Richard Hoff's persistence pays off and flattered, and
frustrated with too many customers who think she's some kind
of sex toy, Dana finally agrees to meet him hoping he'll be
a gentleman.
DANA
Why don't you meet me at the Stork
Club after work tonight.
RICHARD
That's great, Dana, I'll see you
later.
DANA (V.O.)
So many of our customers were were
so crude and sexist. Richard was
always a perfect gentleman, and
dressed in the finest tailored
suits. If I had a fantasy about the
kind of man I hoped to take up with
some day, it was Richard. Although
I kept putting him off, he kept
pressuring me for a date. Finally,
I agreed to meet him for a drink
after work.
INT. STORK CLUB
Dana strides in looking great; wearing a flowing long WHITE
CAPE, high heels, a miniskirt, and a revealing satin blouse.
Richard is waiting for her at a secluded PRIVATE TABLE. He
doesn't waste a minute with small talk.
RICHARD
You're such a beautiful woman...I
admire you so much. I want you to
come back to my apartment with me.
Dana was afraid that just this sort of thing might happen,
is stunned, upset, and not about to compromise her moral
values.
DANA
Don't put me in this position,
Richard. You'll get me over there
and then you'll try to get me to go
to bed with you, and I won't. This
is just a waste of your time. You
should really pick someone else if
those are your intentions?
RICHARD
That's not at all what I want from
you. What I care about is simply
being with you... spending time
with you. You're important to me
...I need to be around you.
Dana is caught off guard by a powerful psychological hook--
her need to be NEEDED and pulls back, processing what she
just heard.
She doesn't respond, but just looks at him conveying in her
eyes how moved she is.
RICHARD
(continuing)
Let's go.
They put on their coats and leave the club.
EXT. FREEWAY - EARLY MORNING
Driving along the freeway no words are spoken.
EXT. MARINA TOWERS
Richard's car pulls into the parking structure of the MARINA
TOWERS CONDOMINIUMS near the Chicago River where he lives.
INT. MARINA TOWERS - RICHARD'S PENTHOUSE
Using his keys, Richard opens the door and invites Dana to
sit down and wait for a minute. An upper-floor suite, Dana
looks out over the Romantic Chicago skyline while Richard
prepares a surprise.
RICHARD
Close your eyes.
DANA
What's this?
Dana feels something slipping over her shoulders.
RICHARD
It's yours. I bought it for you.
That's why I've wanted you to come
here for such a long time. I think
I know you pretty well, Dana. For
example, I know about your kids,
the difficult kind of life you've
had. I know that you don't sleep
around, I admire that, and it only
makes me want you all the more.
Dana, bewildered, WALKS around the apartment trying to clear
her head.
In a floor-length mirror she catches a glimpse of a
Cinderella figure wrapped in a magnificent ermine FUR COAT.
RICHARD
(continuing)
Dana, come here, I've got something
else to show you.
He takes Dana down the hallway, to another suite of rooms.
RICHARD
(continuing)
This is yours. I'll hire a maid who
can take care of the children and
you can live here.
DANA
Richard, this is all very wonderful
but I couldn't possibly accept your
offer. I'm still married...and I'm
working at Playboy!
RICHARD
Forget all that...I've checked, you
never hear from your husband, he's
old news, and you'll never get back
together with him. As far as the
club goes, you'll quit. You'll live
here like a queen!
DANA
You don't understand, I love
Playboy, Richard. Anyway, this is
way too much for me to handle right
now, this moment. I've got to get
home to my kids. Let's slow down,
take some time to think, and we'll
talk tomorrow.
RICHARD
Okay...okay...you go home. My, or
should I say, our Thunderbird's
downstairs. I'll tell the doorman
to give you the keys. Go see your
children, but I want you back here
in a few hours.
EXT. MARINA TOWERS - EARLY MORNING
Dana takes the elevator down to the lobby and can't believe
what just happened.
The doorman gives her the keys to a white THUNDERBIRD parked
just outside the front doors.
She opens the door, steps in, starts up the car, and takes
off down a deserted early-morning Eisenhower Expressway.
At her usual exit two police officers are waiting to ESCORT
HER home safely.
Dana has to sound her horn several times before they
recognize her.
When they arrive at Dana's home, and after a few minutes of
small-talk, they wave goodbye to each other.
Walking up to her door, she hears the phone ringing.
Dana picks up.
DANA
Hello.
RICHARD
Where the fuck have you been. It
shouldn't have taken you 20 minutes
to get home. What the fuck's been
going on!
DANA
Richard, for heaven's sake, relax.
I talked for just a few minutes to
some friends of mine. They're two
police officers who escort me home
whenever they see me.
RICHARD
You've got no fucking business
talking to cops. You didn't mention
my name, did you?
DANA
No, Richard, I didn't. I really
have to get some sleep now. I'm
exhausted. I'm going to bed, but
I'll get over to see you tomorrow.
Dana hangs up the phone and immediately it rings again.
RICHARD
You better not be going out. I'll
call, you know. I'm going to check
up on you, Dana.
After hanging up the phone, Dana mumbles to herself,
confused and concerned.
DANA
(to herself)
I can't believe this guy. What have
I gotten myself into. I better
break things off with him
tomorrow...yes, first thing
tomorrow.
EXT. MARINA TOWERS - NEXT MORNING
The next morning Dana is pulling into the Marina Towers
parks the Thunderbird, makes her way to Richard's penthouse,
and KNOCKS on the door.
INT. MARINA TOWERS - RICHARD'S APARTMENT
Richard opens the door and Dana walks in.
DANA
Here are your keys. I really have
to go, I'm scheduled to work at
five.
RICHARD
No you're not. I called Duke and
you have the night off. I told him
to replace you--that I'm taking you
out to dinner. So, he replaced you,
that's that, so relax.
Dana is overwhelmed and about to allow some intimate
exchanges with Richard.
DANA (V.O.)
I was hypnotized by his overbearing
will. After a leisurely romantic
candlelight dinner, we returned to
the penthouse. As if in a dream,
soon soft music and the moody glow
from white scented candles created
a magical mood.
INT. MARINA TOWERS - RICHARD'S BEDROOM
Richard takes Dana by the hand and leads her to his BEDROOM.
Although Dana's Catholic conscience resists, she is
mesmerized by the moment--drugged by Richard's charm and
strength of will.
Ever so gently, yet passionately, he removes one item of
CLOTHING after another.
Dana reclines into his soft silky silver down comforter and
watches while he undresses.
He never takes his EYES off of Dana.
RICHARD
Dana, you are so beautiful.
He presses his firm hard body into hers until the
penetration is deep and satisfying.
Dana moans with delight.
His movements begin a crescendo of sensual ecstasy.
Tears come to Dana's eyes and then for some reason she
begins to stiffen.
RICHARD
(continuing)
C'mon baby, move a little.
He stops suddenly.
RICHARD
(continuing)
Damn it, you are the worst fuck in
history! What the hell is with you?
He jumps off the bed and glares at Dana before changing his
attitude.
RICHARD
I'm sorry. You just don't know what
to do. Let me help you. There are
lots of women like you.
Richard returns to kissing and FONDLING Dana in order to
bring her sensual pleasure before taking his own quick
release.
RICHARD
What's the matter, honey, are you
upset for some reason?
Dana is bewildered.
DANA
Richard, I don't use any kind of
birth control. Am I going to get
pregnant?
RICHARD
Naw, you don't get pregnant every
time you make love for god's sake.
He laughs trying to make light of the situation.
DANA
I'm still worried, please go get me
something like a douche, or
anything that might help at the
drug store.
RICHARD
Have you lost your mind. I'm going
to get dressed and go get you a
douche at this hour? Get serious,
Dana.
INT. PLAYBOY CLUB - DAYS LATER
Days later Dana sees Richard at the club.
He gives Dana some money but ends up flirting with a Playboy
centerfold the rest of the evening.
RICHARD
Dana, hello. I'm glad I ran into
you. Please take this and buy
something for your children.
DANA
Richard, really, you don't have to.
He turns to TERRY KIMBALL as she walks by.
RICHARD
Terry, wait a minute...
Richard leaves Dana and goes off to flirt with Terry.
DANA (V.O.)
I felt like a whore when he gave me
that $100 bill. That night, while
driving home, I ripped the bill up
and threw the pieces to the freeway
wind. Weeks went by before I ran
into Richard again at the club. He
was drunk, obnoxious, and
disorderly.
INT. PLAYBOY CLUB
Dana, in Bunny costume, walks past Richard sitting at a
table with several men.
RICHARD
Hey, bitch, come here!
DANA
What did you just call me?
RICHARD
You heard me...bitch!
Duke Camp overhears what's happening and decides to
intervene.
DUKE
Richard, hold it down a little,
will you?
RICHARD
Fuck her, Duke. You gonna let this
cheap slut come between us?
Duke is fuming and has lost his patience.
DUKE
Richard, you know I don't want to
do this, but I have to ask for your
key. As of this moment you are no
longer a member and you are not
welcome on these premises. This
young lady is a Playboy Bunny. She
works in this club and there is
nobody on earth who is going to
speak to her in that manner. You
have no right to abuse her and I
will not tolerate it for a single
second. Get out of here before I
personally throw your ass onto
Walton Street!
Richard leaves without a scene.
END OF DANCING STALLIONS - LIMITED TV SERIES - EPISODE 04
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